Contents.roomgasterThe room displays a message in the Wingdings font, while the sound 'mussmile' is played. The decoded message reads:ENTRY NUMBER SEVENTEENDARK DARKER YET DARKERTHE DARKNESS KEEPS GROWINGTHE SHADOWS CUTTING DEEPERPHOTON READINGS NEGATIVETHIS NEXT EXPERIMENTSEEMSVERYVERYINTERESTING.WHAT DO YOU TWO THINK?room2A room that displays several sprites of the enemy Froggit before drowning the entire screen in red.TESTROOMA grey room most likely used to test out the dialogue boxes in the game. Along with the three empty dialogue boxes, some text appears on the left and middle dialogue boxes respectively that read:La, la. Time to wake up and smell the pain.Though. It's still a little shaky.fhuehfuehfuehfuheufheIn-game, the word 'smell' is displayed in red text.
Aug 5, 2016 - This is a mod to the game Undertale that was originally meant as an HD. By running it, before copying the games files and installing the mod. Also most of the sprites are modified / shaded sprites from the. Early Access. Yes, that's how I make updates. You will need some external programs to extract the sprite sheets and those are not provided with the mod. The best thing I can tell you is just Google how to edit Undertale's sprites and then you can extract these sprites from your modded data.win file edit them and then reimport them to the data.win file. Piskel, free online sprite editor. A simple web-based tool for Spriting and Pixel art. Create pixel art, game sprites and animated GIFs. Free and open-source.
In at least earlier versions of the game, the first line canTestMonster and its cohorts draw near!It should be noted that the text is not correctly formatted for the boxes, as the left text goes out of right side of the box, and the middle text goes straight down out of the box. RoomoverworldA black room with strange NPCs that move around the room.
The NPCs appear to be falling lava streams with faces. This room also has collision boxes, a Flowey dialogue trigger, and a door to roomoverworld3, which is mostly just black space. The Flowey dialogue triggers a battle transition and a botched Toriel dialogue box. The player is then able to move the SOUL around freely. The Game Over theme, 'Determination', plays in the background, but triggering Flowey's dialogue will cause 'Your Best Friend' to overlap the music. RoomspritecheckA grey room that was obviously used to check the sprites used in-game.
The game will display every single sprite in the game in rapid succession. Strangely, a sprite for the head of Undyne the Undying loads on the screen, but never changes, moves, or disappears. Pressing space while in debug mode allows the player to change to the next room.roomfire4A room that was presumably meant to be used as an area for Hotland. The room even plays the Hotland overworld theme, 'Another Medium'. However, the room seems to use floor assets from Waterfall.
The room also contains direction vents that carry the player to the right. These vents were probably used for testing purposes. This room cannot be accessed unless 'flag 367' is disabled. Otherwise, the game will crash. Roomwater7olderA room that was likely meant to be used in Waterfall. This room appears to use many assets from Waterfall such as lanterns, an Echo Flower,. Among these though, are a few odd entities that also appear.
There are poorly-drawn torches that are lit up and make a sound effect when interacted with, similar to the mushrooms found in Waterfall. Lighting all the torches triggers an invisible path with poorly-drawn guiding lights. Judging by the low quality of these entities, it's likely that these were either used as placeholders, or for testing purposes. The sign on the north wall has no dialogue assigned to it, so it will do nothing except create a text box that immediately closes. RoommeetundyneoldAn older version of the room where the player is introduced to Undyne for the first time. However, there are certain Waterfall assets scattered around.
There's even the bunny guy and devil NPCs from Snowdin in the room. The player can talk to these as normal. Walking further right into the boards triggers the scene with Papyrus and Undyne, although they are misplaced in the boards in the middle, causing Undyne to be overlapped for the entirety of the scene. Papyrus retains his existing dialogue from the game. RoomwatermushroomA small room that uses Waterfall's assets.
The only entities in the room are a crystal and an NPC that uses unique dialogue. When talked to, the NPC states:You. You came from outside, didn't you?People like you are so rare.Please! Stranger!Tell me about outside.? (Yes/No)IF NOIs everyone out there like you? How terrible.IF YESHuh? What do you mean?I just meant outside this room.If you haven't noticed, my mycelium have bound me to the ground.Please!
Stranger!I'll make this simple.I've spent my whole life in the same spot, in the same room.But I've long wondered what lies inside the room to the right.Long I've fantasized about entering, and changing my scenery.No. Changing my LIFE!Please. Go and tell me what's inside.ON RETURNOh! You're back!How's the room?
(Different/Same)IF DIFFERENTOh, that's a relief!That's all I need to continue my fantasies. Thank you, stranger.IF SAMESo it's the same.The same.Same.OK.Presumably the dancing mushroom in Temmie village was originally planned to be used here.roommonsteraligntestA black room with a Memoryhead enemy that disappears. Likely used to test the alignment distortion used for that enemy.
September 15, 2015. Windows, OS X. September 15, 2015. Linux.
July 17, 2016. PS4, PS Vita. August 15, 2017. Nintendo Switch.
September 18, 2018Mode(s)Undertale is a created by American. The player controls a child who has fallen into the Underground: a large, secluded region under the surface of the Earth, separated by a magic barrier. The player meets various monsters during a quest to return to the surface, mainly through the combat system; the player navigates through mini- attacks by the opponent, and can opt to pacify or subdue monsters in order to spare them instead of killing them. These choices affect the game, with the dialogue, characters, and story changing based on outcomes.Fox developed the entirety of the game independently, including writing and composing the score, with only additional art created by other artists, primarily Temmie Chang. The game was inspired by the and role-playing series, the bullet hell shooter series, and the British comedy show. Undertale was initially meant to be two hours in length and was set to be released in mid-2014, but development was delayed over the course of the next three years.The game was released for and in September 2015, for in July 2016, for and in August 2017 and for the in September 2018.
The game was acclaimed for its writing, thematic material, intuitive combat system, musical score, and originality, with praise directed towards its story, dialogue, and characters. The game sold over one million copies and was nominated for multiple accolades and awards, including from several and conventions. The first chapter of a related game, was released on October 31, 2018.
Undertale employs a /turn-based hybrid combat system in which the player controls the heart, avoiding attacks from enemies in between fighting, acting, healing, or showing mercy.Undertale is a game that uses a. In the game, players control a child and complete objectives in order to progress through the story. Players explore an underground world filled with towns and caves, and are required to solve numerous puzzles on their journey.
The underground world is the home of monsters, many of whom challenge the player in combat; players decide whether to kill, flee, or befriend them. Choices made by the player radically affect the plot and general progression of the game, with the player's morality acting as the cornerstone for the game's development.When players encounter enemies in either scripted events or, they enter a battle mode. During battles, players control a small heart which represents their soul, and must avoid attacks unleashed by the opposing monster in a similar fashion to a shooter. As the game progresses, new elements are introduced, such as colored obstacles, and battles which change the way players control the heart. Players may choose to attack the enemy, which involves timed button presses. Killing enemies will cause the player to earn EXP (in turn increasing their LOVE) and gold. They can use the ACT option to perform various actions, which vary depending on the enemy.
If the player uses the right actions to respond to the enemy, or attacks them until they have low HP (but still alive) they can choose to spare them and end the fight without killing them. In order for some boss encounters to be completed peacefully, the player is required to survive until the character they are facing has finished their dialogue. The game features multiple story branches and endings depending on whether players choose to kill or spare their enemies; and as such, it is possible to clear the game without killing a single enemy.Monsters will talk to the player during the battle, and the game will tell the players what the monster's feelings and actions are. Enemy attacks change based on how players interact with them: should players choose non-violent options, enemy attacks are easy, whereas they become difficult if players choose violent options. The game relies on a number of elements in both its gameplay and story.
When players participate in a boss battle on a second, the dialogue will be altered depending on actions in previous playthroughs. PlotUndertale takes place in the Underground, a realm where monsters, once equal to humans, were banished to after war broke out between them. The Underground is sealed from the surface world by an imperfect magic barrier, the only point of entry being at Mount Ebott. A human child falls into the Underground and encounters Flowey, a sentient flower who teaches them the game's mechanics and encourages them to raise their 'LV', or 'LOVE', by gaining 'EXP' through killing monsters. When Flowey attempts to murder the human to take their soul for himself, the human is rescued by Toriel, a motherly goat-like monster, who teaches the human to solve puzzles and survive conflict in the Underground without killing. She intends to adopt the human, wanting to protect them from Asgore Dreemurr, the king of the Underground.The human eventually leaves Toriel to search for Asgore's castle, which contains the barrier leading to the surface world. Along the way, the human encounters several monsters, including: the skeletons Sans and Papyrus, two brothers who act as for the Underground; Undyne, the head of the royal guard; Alphys, the kingdom's royal scientist; and Mettaton, a robotic television host Alphys created.
Some of them are fought, with the human having to choose whether to kill them or to show mercy; should the human spare them, they may choose to become friends. During their travels, the human learns the cause of the war between humans and monsters.
Asriel, the son of Asgore and Toriel, befriended a human child who fell into the Underground and was adopted by Asgore and Toriel. One day, the child was fatally poisoned by some flowers. When Asriel returned their body to the humans, they attacked and killed him, resulting in Asgore declaring war. Asgore now seeks to break the barrier, which requires him to collect seven human souls, of which he has six.The game's ending depends on how the player resolved encounters with monsters. If the player killed some but not all monsters, the human arrives at Asgore's castle and learns that they also need a monster's soul to cross the barrier, forcing them to fight Asgore.
Sans stops the human before their confrontation, revealing that the human's 'LOVE' is an for 'level of violence' and 'EXP' for 'execution points.' Sans judges the human based on the combined resolution of the encounters.
The human fights Asgore, but Flowey interrupts them, killing Asgore and stealing the human souls. With the aid of the rebelling souls, the human defeats Flowey, falls unconscious, and awakens on the human side of the barrier; they receive a phone call from Sans, explaining the state of the Underground after the human's departure.If the player instead kills no monsters, as well as having completed a previous playthrough of the game, Flowey is revealed to be a reincarnation of Asriel, created as part of Alphys's experiments. Toriel intervenes before the human fights Asgore, and is joined by the other monsters the human has befriended. Flowey ambushes the group, using the souls of all the monsters to take an older Asriel's form to fight the human. The human connects with their new friends during the fight, eventually triumphing. Asriel reverts to his child form, destroys the barrier, and expresses his remorse to the others before leaving.
The human falls unconscious, and is awoken to see their friends surrounding them, with the knowledge of the human's name – Frisk. The monsters reintegrate with the humans on the surface, while Frisk has the option of accepting Toriel as their adoptive mother.Another ending ensues if the player kills all monsters, in which Frisk becomes influenced by the malevolent spirit of the fallen human child whose body Asriel attempted to return. When Frisk reaches Asgore's castle, Sans attempts to stop them, but Frisk kills him along with Asgore and Flowey. The fallen human child assumes control and, with or without the player's consent, destroys the universe. In order to enable further replays of the game, Frisk must first give their soul to the fallen human child in exchange for restoring the universe, which will permanently alter every subsequent Pacifist run.DevelopmentUndertale was developed by Toby Fox across 32 months. Development was financed through a campaign on the website.
The campaign was launched on June 25, 2013 with a goal of US$5,000; it ended on July 25, 2013, with US$51,124 raised by 2,398 people (1022.48% of the original goal). Undertale 's creation ensued after Fox created a battle system using the. He wanted to develop a role-playing game that was different from the traditional design, which he often found 'boring to play'. He set out to develop a game with 'interesting characters', and that 'utilizes the medium as a storytelling device.
Instead of having the story and gameplay abstractions be completely separate'.Fox worked on the entire game independently, besides some of the art; he decided to work independently to avoid relying on others. Fox had little experience with game development; he and his three brothers often used to make role-playing games, though few were ever completed. Fox also worked on a number of while in high school.
Temmie Chang worked as the main artistic assistant for the game, providing most of the sprites and concept art. Fox has said that the game's art style would likely remain the same if he had access to a larger team of artists. He found that 'there's a psychological thread that says audiences become more attached to characters drawn simply rather than in detail', particularly benefiting from the use of within the art. Game designThe defensive segment within the battle system was inspired by the, as well as shooters such as the.
When working on the battle system, Fox set out to create a mechanic that he would personally enjoy. He wanted Undertale to have a battle system equally engaging as (1996) and (2003). Fox did not want to be necessary at any point in the game, instead leaving it optional to players. He also did not wish to introduce, as they involve backtracking, which he dislikes.
In terms of the game's difficulty, Fox ensured that it was easy and enjoyable. He asked some friends who are inexperienced with bullet hell shooters to test the game, and found that they were able to complete it. He felt that the game's difficulty is optimal, particularly considering the complications involved in adding another difficulty setting.The game's dialogue system was inspired by (1992), particularly the gameplay mechanic whereby players can talk to monsters to avoid conflict. Fox intended to expand upon this mechanic, as failing to negotiate resulted in a requirement to fight. 'I want to create a system that satisfied my urge for talking to monsters,' he said. When he began developing this mechanic, the concept of completing the game without killing any enemies 'just evolved naturally'. However, he never considered removing the option to fight throughout development.
When questioned on the difficulty of playing the game without killing, Fox responded that it is 'the crux of one of the major themes of this game', asking players to think about it themselves. Certain parts of the game, such as the 'CORE' area, as well as the plot pace and progression of the game and minor references, draw strong parallels with.WritingFor the game's writing, Fox was partly influenced by the silliness of, as well as comedy shows like (1990–1995). He was also inspired by the unsettling atmosphere of EarthBound (1994).
Fox's desire to 'subvert concepts that go unquestioned in many games' further influenced Undertale 's development. Fox found that the writing became easier after establishing a character's voice and mood. He also felt that creating the world was a natural process, as it expressed the stories of those within it. Fox felt the importance to make the game's monsters 'feel like an individual'. He cited the (1987–present) as the opposite; 'all monsters in RPGs like Final Fantasy are the same. There's no meaning to that'.The character of Toriel, who is one of the first to appear in the game, was created as a parody of tutorial characters.
Fox strongly disliked the use of the companion character Fi in (2011), in which the answers to puzzles were often revealed early. Fox also felt that role-playing video games generally lack mother characters; in the (1996–present), as well as (1989) and EarthBound, Fox felt that the mothers are used as 'symbols rather than characters'. In response, Fox intended for Toriel's character to be 'a mom that hopefully acts like a mom', and 'genuinely cares' about players' actions. 'Hopes and Dreams', a song from one of the game's final boss fights, was praised for reintroducing many of the game's previous themes in a different style.Problems playing this file? See.The game's soundtrack was entirely composed by Fox.
A self-taught musician, he composed most of the tracks with little iteration; the game's main theme, 'Undertale', was the only song to undergo multiple iterations in development. The soundtrack was inspired by music from role-playing games, such as EarthBound, as well as the webcomic, for which Fox provided. Fox also stated that he tries to be inspired by all music he listens to, particularly those in video games. According to Fox, over 90% of the songs were composed specifically for the game. 'Megalovania', the song used during the boss battle with Sans, had previously been used within Homestuck and in one of Fox's EarthBound ROM hacks.
For each section of the game, Fox composed the music prior to programming, as it helped 'decide how the scene should go'. He initially tried using a to compose the soundtrack, but found it difficult to use. He ultimately decided to play segments of the music separately, and connect them on a track.
To celebrate the one year anniversary of the game, Fox released five unused musical works on his blog in 2016. Four of the game's songs were released as official DLC for the Steam version of 's.Undertale 's soundtrack has been well received by critics as part of the success of the game, in particular for its use of various for the various characters used throughout various tracks. In particular, 'Hopes and Dreams', the boss theme when fighting Asriel in the run-through where the player avoids killing any monster, brings back most of the main character themes, and is 'a perfect way to cap off your journey', according to 's Nadia Oxford. Oxford notes this track in particular demonstrates Fox's ability at 'turning old songs into completely new experiences', used throughout the game's soundtrack. Tyler Hicks of compared the music to '.
ReleaseThe game was released on September 15, 2015 for and, and on July 17, 2016 for. Fox expressed interest in releasing Undertale on other platforms, but was initially unable to port it to platforms without reprogramming the game due to the engine's lack of support for these platforms. A was released in January 2016, fixing bugs and altering the appearance of blue attacks to help players see them better. Announced during that Undertale would get a release for the and, a Japanese, and a retail version published by Fangamer. These versions were released on August 15, 2017. A version was revealed during a March 2018, though no release date was given at the time; Undertale 's release on Switch highlighted a deal made between Nintendo and to allow users of GameMaker Studio 2 to directly export their games to the Switch.
The port was released on September 15, 2018 in Japan, and on September 18, 2018 worldwide. All console ports are published courtesy of Japanese localizer in all regions.Other Undertale media and merchandise have been released, including toy figurines and plush toys based on characters from the game. The game's official soundtrack was released in 2015 simultaneously with the game's release.
Additionally, two official Undertale cover albums have been released: the 2015 metal album Determination by RichaadEB and Ace Waters, and the 2016 jazz album Live at Grillby 's by Carlos Eiene, better known as insaneintherainmusic. Another album of jazz duets based on Undertale 's songs, Prescription for Sleep, was performed and released in 2016 by saxophonist and pianist Ayaki Sato.
A 2x vinyl edition of the Undertale soundtrack, produced by, was also released in the same year. Main article:After previously teasing something Undertale related a day earlier, Fox released the first chapter of Deltarune on October 31, 2018 for Windows and macOS for free. Deltarune is 'not the world of Undertale', according to Fox, though characters and settings may bring some of Undertale 's world to mind, and is 'intended for people who have completed Undertale'; the name Deltarune is an of Undertale. Fox stated that this release is the first part of a new project, and considered the release a 'survey program' to determine how to take the project further. Fox clarified that Deltarune will be a larger project than Undertale; Fox stated it took him a few years to create the first chapter of Deltarune, much longer than it took him to complete the Undertale demo. Because of the larger scope, he anticipates getting a team to help develop Deltarune, and has no anticipated timetable when it will be completed.
Once the game is ready, Fox will release the game as one whole package. Fox plans for Deltarune to have only one ending, regardless of what choices the player makes in the game. Reception ReceptionAggregate scoreAggregatorScore(PC) 92/100(PS4) 92/100(NS) 93/100Review scoresPublicationScore10/109.5/109/1010/1091/100Undertale received critical acclaim, and was quickly considered a by numerous publications. Calculated an score of 92 out of 100, based on 43 reviews.
Metacritic ranks the game the third-highest rated Windows game released in 2015, and among the top 50 of all time. Praise was particularly directed at the game's writing, unique characters, and combat system. 's Tyler Hicks declared it 'one of the most progressive and innovative RPGs to come in a long time', and 's Kallie Plagge called it 'a masterfully crafted experience'.
By the end of 2015, in a preliminary report by, Undertale was one of the best-selling games on, with 530,343 copies sold. By early February 2016, the game surpassed one million sales, and by July 2018, the game had an estimated total of three and a half million players on. Japanese digital PlayStation 4 and PlayStation Vita sales surpassed 100,000 copies sold by February 2018.Daniel Tack of called the game's combat system 'incredibly nuanced', commenting on the uniqueness of each enemy encounter. 's Austin Walker praised the complexity of the combat, commenting that it is 'unconventional, clever, and occasionally really difficult'.
Of commended the game's ability to blend 'turn-based and live combat elements in a way that actually fucking works'. IGN's Plagge praised the ability to avoid combat, opting for friendly conversations instead. Jesse Singal of found the game's ability to make the player empathize with the monsters during combat if they opted for non-violent actions was 'indicative of the broader, fundamental sweetness at the core' of Undertale.Reviewers praised the game's writing and narrative, with IGN's Plagge calling it 'excellent'.
The Escapist 's Croshaw considered Undertale the best-written game of 2015, writing that is 'on the one hand hilarious. And is also, by the end, rather heartfelt'. 's Ben Davis praised the game's characters and use of comedy, and compared its tone, characters and storytelling to (2004). 's Richard Cobbett provided similar comments, writing that 'even its weaker moments. Just about work'.The game's visuals received mixed reactions. Giant Bomb's Walker called it 'simple, but communicative'.
IGN's Plagge wrote that the game 'isn't always pretty' and 'often ugly', but felt that the music and animations compensate. The Escapist 's Croshaw remarked that 'it wobbles between basic and functional to just plain bad'.
Other reviewers liked the graphics: Daniel Tack of Game Informer felt that the visuals appropriately match the characters and settings, while Richard Cobbett of PC Gamer commended the ability of the visuals to convey emotion.About a year after release, Fox commented that he was surprised by how popular the game had become and though appreciative of the attention, he became stressed out over it. Fox said: 'It wouldn't surprise me if I never made a game as successful again. That's fine with me though.' AccoladesUndertale has received multiple awards and nominations from several. It won from and, as well as Game of the Month from. The game won the Best Game Ever poll from, and was awarded Best PC Game from.
At the Awards, it won the Audience Award, while the named it the Most Fulfilling Crowdfunded Game, and awarded it the Matthew Crump Cultural Innovation Award. December 16, 2015.
From the original on December 26, 2015. Retrieved May 16, 2016.
^ Davis, Ben (September 24, 2015). From the original on January 21, 2016.
Retrieved January 21, 2016. ^ Hudson, Laura (September 24, 2015). From the original on January 20, 2016.
Retrieved January 20, 2016. Smith, Adam (October 15, 2015).
From the original on May 16, 2016. Retrieved May 16, 2016. Cobbett, Richard (September 21, 2015). From the original on January 21, 2016. Retrieved October 31, 2015. Bogos, Steven (June 2, 2013).
From the original on January 21, 2016. Retrieved January 21, 2016. Couture, Joel (September 22, 2015).
From the original on January 20, 2016. Retrieved January 20, 2016. ^ Farokhmanesh, Megan (July 7, 2013). From the original on September 26, 2015.
Retrieved September 25, 2015. ^ Welhouse, Zach (October 8, 2015). From the original on January 21, 2016.
Retrieved January 21, 2016. Muncy, Jack (January 18, 2016). From the original on March 27, 2016. Retrieved January 18, 2016.
^ Grayson, Nathan (September 28, 2015). From the original on February 17, 2016. Retrieved February 17, 2016. (September 15, 2015).
Scene: Intro. Moore, Michael E.
Basics of Game Design. P. 142.
^ Plagge, Kallie (January 12, 2016). From the original on January 21, 2016. Retrieved January 13, 2016. ^ Hughes, William (December 9, 2015). From the original on March 25, 2016.
Retrieved March 2, 2016. ^ Turi, Tim (October 15, 2015). Archived from on January 20, 2016. Retrieved January 20, 2016.
Suszek, Mike (July 29, 2013). From the original on January 20, 2016.
Retrieved January 20, 2016. ^ Feeld, Julian (October 9, 2015).
Existential Gamer. From the original on January 20, 2016. Retrieved January 20, 2016.
^ Hogan, Sean (May 25, 2013). Archived from on January 20, 2016. Retrieved January 20, 2016. Fox, Toby (June 25, 2013). From the original on January 20, 2016. Fox, Toby (2016).
How To Access Undertake Sprite Files Online
^ Bennett, David (October 22, 2015). From the original on January 20, 2016. Retrieved January 20, 2016. ^ Bogos, Steven (June 25, 2013).
From the original on January 20, 2016. Retrieved January 20, 2016. ^ Isaac, Chris (December 10, 2015). From the original on January 20, 2016. Retrieved January 20, 2016. Scarnewman, Bobby; Aldenderfer, Kris; Fox, Toby (December 15, 2015). Event occurs at 41:54.
From the original on December 17, 2017. Retrieved January 21, 2016.
How To Access Undertake Sprite Files Pdf
^ Couture, Joel (October 27, 2015). From the original on January 20, 2016.
Retrieved January 20, 2016. Schreier, Jason (January 5, 2016). From the original on April 28, 2016. Retrieved April 22, 2016.
^ Oxford, Nadia (April 21, 2016). From the original on May 2, 2016. Retrieved April 22, 2016. ^, 1:15:10. ^ Tarason, Dominic (October 17, 2018). Retrieved October 17, 2018. Leack, Jonathan (September 15, 2016).
From the original on September 14, 2016. Retrieved September 15, 2016. Yu, Jason (April 6, 2016). From the original on April 21, 2016. Retrieved April 21, 2016. Yu, Jason (April 14, 2016). From the original on May 2, 2016.
Retrieved April 21, 2016. ^ Hicks, Tyler (November 20, 2015). From the original on January 21, 2016. Retrieved January 21, 2016. ^ Orland, Kyle (December 28, 2015). From the original on January 20, 2016. Retrieved January 21, 2016.
Fox, Toby (July 17, 2016). From the original on December 17, 2017. Retrieved July 17, 2016. Frank, Allegra (January 21, 2016).
From the original on April 7, 2016. Retrieved May 2, 2016. Matulef, Jeffrey (June 13, 2017). Gamer Network. From the original on June 13, 2017. Retrieved June 12, 2017. Jenni (July 18, 2017).
From the original on August 8, 2017. Retrieved July 18, 2017. Frank, Allegra (August 15, 2017).
From the original on August 15, 2017. Retrieved August 15, 2017. From the original on March 10, 2018. Retrieved March 11, 2018. Glagowski, Peter (March 8, 2018). From the original on March 9, 2018. Retrieved March 8, 2018.
Good, Owen (March 9, 2018). From the original on March 9, 2018.
Retrieved March 9, 2018. Soejima (August 1, 2018). (in Japanese). Retrieved August 28, 2018. Schreier, Jason (August 28, 2018). From the original on August 28, 2018.
Retrieved August 28, 2018. Rowen, Nic (February 9, 2016). From the original on March 10, 2016. Retrieved May 2, 2016. From the original on January 9, 2016. Retrieved May 2, 2016.
Grayson, Nathan (January 6, 2016). From the original on March 31, 2016.
Retrieved May 2, 2016. RichaadEB; Waters, Ace. From the original on April 14, 2016. Retrieved May 2, 2016.
Gwaltney, Javy (February 6, 2016). From the original on May 2, 2016. Retrieved May 2, 2016. Hamilton, Kirk (December 5, 2016).
From the original on December 6, 2016. Retrieved December 5, 2016. August 26, 2016. From the original on August 27, 2016. Retrieved August 26, 2016. October 31, 2018.
From the original on October 31, 2018. Retrieved October 31, 2018.
^ Kent, Emma (November 2, 2018). Retrieved November 2, 2018. Fox, Toby. Retrieved November 2, 2018. ^ Frank, Allegra (October 31, 2018). Retrieved November 1, 2018. ^.
From the original on January 21, 2016. Retrieved July 28, 2017. From the original on September 11, 2017. Retrieved October 16, 2017.
Peterson, Joel (August 15, 2017). Enthusiastic Gaming.
From the original on December 17, 2017. Retrieved August 16, 2017.
^ Walker, Austin (September 25, 2015). From the original on September 25, 2015.
Retrieved January 21, 2016. ^ Tack, Daniel (October 1, 2015). From the original on January 21, 2016.
Retrieved January 21, 2016. ^ Cobbett, Robert (September 29, 2015). From the original on September 29, 2015.
Retrieved September 29, 2015. Mackey, Bob (September 30, 2015). From the original on October 31, 2015. Retrieved October 31, 2015. Allen, Eric Van (October 22, 2015). From the original on January 20, 2016. Retrieved January 21, 2015.
LaBella, Anthony (September 24, 2015). Archived from on January 20, 2016.
Retrieved January 21, 2016. From the original on January 20, 2016.
Retrieved July 28, 2017. Wawro, Alex (December 22, 2015).
From the original on December 24, 2015. Retrieved December 22, 2015. Grubb, Jeff (April 13, 2016). From the original on April 22, 2016.
Retrieved April 22, 2016. Orland, Kyle (July 6, 2018).
From the original on July 10, 2018. Retrieved July 11, 2018. July 11, 2018, at the. Romano, Sal (February 15, 2018). From the original on February 15, 2018. Retrieved February 15, 2018. ^ (October 28, 2015).
From the original on October 29, 2015. Retrieved October 27, 2015. Singal, Jesse (February 12, 2016). From the original on March 22, 2016. Retrieved February 12, 2016.
Wawro, Alex (September 14, 2016). From the original on August 3, 2017. Retrieved September 14, 2016. ^ (December 21, 2015). Archived from on January 20, 2016. Retrieved January 21, 2016. ^.
January 7, 2016. From the original on January 20, 2016. Retrieved January 21, 2016. ^. October 30, 2015. From the original on January 20, 2016. Retrieved January 21, 2016.
^ Frank, Allegra (December 16, 2015). From the original on January 21, 2016. Retrieved January 21, 2016. ^ Hansen, Steven (December 22, 2015). From the original on January 20, 2016. Retrieved January 21, 2016. ^.
January 12, 2016. From the original on January 20, 2016. Retrieved January 21, 2016. ^. March 16, 2016.
From the original on April 11, 2016. Retrieved March 16, 2016. ^ Sarkar, Samit (March 21, 2016).
From the original on April 6, 2016. Retrieved June 5, 2016.
November 27, 2015. From the original on January 16, 2016. Retrieved January 21, 2016. Peckham, Matt (December 1, 2015). From the original on January 21, 2016. Retrieved January 21, 2016. ^ Nunneley, Stephany (December 4, 2015).
From the original on January 15, 2016. Retrieved January 15, 2016. Diver, Mike (December 4, 2015). From the original on January 16, 2016. Retrieved January 21, 2016.; (December 15, 2015). From the original on January 16, 2016.
Retrieved January 17, 2016. December 18, 2015. From the original on January 21, 2016. Retrieved January 21, 2016. December 25, 2015.
From the original on February 17, 2016. Retrieved February 17, 2016.
December 28, 2015. From the original on January 20, 2016. Retrieved January 21, 2016. December 30, 2015. From the original on January 20, 2016.
Retrieved January 21, 2016. January 1, 2016. From the original on January 20, 2016.
Retrieved January 21, 2016. January 12, 2016. From the original on December 17, 2015. Retrieved February 17, 2016.
^ Frank, Allegra (January 13, 2016). From the original on January 16, 2016. Retrieved January 21, 2016. ^ Nunneley, Stephany (January 8, 2016).
From the original on January 15, 2016. Retrieved January 21, 2016. ^ Nunneley, Stephany (January 6, 2016). From the original on January 15, 2016.
Retrieved January 21, 2016. ^ Frank, Allegra (January 25, 2016). From the original on January 25, 2016. Retrieved February 17, 2016. Nunnely, Stephany (March 10, 2016). From the original on May 2, 2016. Retrieved March 10, 2016.
Weber, Rachel (April 7, 2016). From the original on May 2, 2016. Retrieved April 7, 2016. Allen, Thomas J. (March 21, 2016). From the original on February 21, 2017.
Retrieved February 22, 2017. Carroll, Dan (August 12, 2016). From the original on August 27, 2017.
Retrieved August 6, 2018. Good, Owen (December 31, 2016).
From the original on January 1, 2017. Retrieved December 31, 2016.External links.